Événement
2024 Sundance Film Festival Indigenous Film Tour [In-Person Only]
Wed Jan 08: 7.30pm PDT
Thu Jan 09: 7.30pm PDT
Fri Jan 10: 7.30pm PDT
Sat Jan 11: 4.30pm PDT, 7.30pm PDT
Sun Jan 12: 4.30pm PDT
Wed Jan 15: 7.30pm PDT
Thu Jan 16: 7.30pm PDT
Fri Jan 17: 7.30pm PDT
Sat Jan 18: 4.30pm PDT, 7.30pm PDT
Sun Jan 19: 4.30pm PDT, 7.30pm PDT
Wed Jan 22: 7.30pm PDT
Thu Jan 23: 7.30pm PDT
Fri Jan 24: 7.30pm PDT
Sat Jan 25: 4.30pm PDT, 7.30pm PDT
Sun Jan 26: 4.30pm PDT, 7.30pm PDT
$14 General Admission
$10 Student/Child/Senior
$7 Member
About
(Various Directors, 2005-2024, United States, 83 min, in English)
The 2024 Sundance Institute Indigenous Film Tour is a 83-minute theatrical program featuring eight short films from Indigenous filmmakers: four from the 2024 Sundance Film Festival program, three from the 2023 Sundance Film Festival and one short film from the 2005 Sundance Film Festival. Started in 2021 as a virtual presentation in conjunction with our friends at museums, Native cultural centers, and arthouse cinemas, the 2024 tour continues as an in-person exhibition with partnered screenings in June and the program available to rent from July 2024 to March 2025.
The curated selection reflects a variety of Native stories and showcases inventive, original storytelling from indigenous artists previously supported by the Festival. Sundance Institute has a long history of supporting and launching talented Indigenous directors including Erica Tremblay, Taika Waititi, Blackhorse Lowe, Sterlin Harjo, Sky Hopinka, Caroline Monnet, Fox Maxy, and Shaandiin Tome. Support for screenings is provided by the Andrew W. Mellon Foundation.
Synopsis courtesy of The Sundance Institute
FILMS IN THIS PROGRAM:
Bay of Herons (2023, dir. Jared James Lank)
A Mikmaq man reflects on witnessing the destruction of his homelands.
Winding path (2024, dir. Alexandra Lazarowich, Ross Kauffman)
Eastern Shoshone medical student Jenna Murray spent summers on the Wind River Indian Reservation helping her grandpa in any way she could. When he suddenly dies, she must find a way to heal before realizing her dream of a life in medicine.
Headdress (2023, dir. Taietsarón:sere Tai Leclaire)
When a queer Native is confronted by a non-Native wearing a ceremonial headdress at a music festival, he retreats into his mind to find the perfect response from various versions of his own identity.
Ekbeh (2023, dir. Mariah Eli Hernandez-Fitch)
Personal stories of Indigenous history are shared over the making of gumbo.
Baigal Nuur Lake Baikal (2023, dir. Alisi Telengut)
In this remarkably tactile animation, Alisi Telengut reimagines the formation of a sacred lake in Siberia and draws connections between an endangered Indigenous language and matters of history, ecology, and humanity.
Hawaiki (2023, dir. Nova Paul)
At the edge of the playground close to the forest, the children of Okiwi School made a refuge they call Hawaiki. Hawaiki has spiritual and metaphysical connections for Mori as the children create a space for their self-determination.
Sunflower Siege Engine (2023, dir. Sky Hopinka)
Moments of resistance are collapsed and woven together; from documentation of the Indigenous led occupation of Alcatraz, to the reclamation of Cahokia and the repatriation of the ancestors, to ones reflections on their body as they exist in the world today, These are gestures that meditate on the carceral inception and nature of the reservation system, and where sovereignty and belligerence intersect and diverge.
Goodnight Irene (2005, dir. Sterlin Harjo)
Two young men have a life-changing encounter with an elder in the waiting room of an Indian Health Service clinic.
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AdresseNorthwest Film Forum (Afficher)
1515 12th Ave.
Seattle, WA 98122
United States
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Contact
Accessibilité
Ticketing, concessions, cinemas, restrooms, and our public edit lab are located on Northwest Film Forum's ground floor, which is wheelchair accessible. We have a limited number of assistive listening devices available for programs hosted in our larger theater, Cinema 1. These devices are maintained by the Technical Director, and can be requested at the ticketing and concessions counter.
The Forum does NOT have assistive devices for the visually impaired, and is not (yet) a scent-free venue. Our commitment to increasing access for our audiences is ongoing, and we welcome all public input on the subject!
If you have additional specific questions about accessibility at our venue, please contact our Patron Services Manager at maria@nwfilmforum.org
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