Événement

Marya Zimmet's Book of Revelations

PHOTO CREDIT: Lois Florman

A cornucopia of epiphanies, inspired by the dawning of a new life chapter, and shared through the music of Irving Berlin, Joni Mitchell, Cole Porter, Antonio Carlos Jobim, Paul McCartney, and other scintillating song-makers. With John di Martino on piano, Yoshi Waki on bass, and Vincent Cherico on drums and percussion. Directed by Barry Kleinbort

Marya grew up in Greenwich Village. As a child, she played recorder, sang in the school choir, mastered finger-style guitar, and did a stint as a professional actress. Later, she studied jazz at City College and sang with jazz trios and a traditional folk music group. She drifted away from music to get her doctorate in psychology. More recently, she discovered the cabaret world, and found it a wonderful fit in its embrace of diverse musical genres and themes both profound and silly. Marya is delighted to be re-presenting her third cabaret show at this innovative East Village venue.

"A gifted song stylist...she treated each song with feeling and communicated infectiously to her audience..."
Edie Stokes, Time Square Chronicles

"Ms. Zimmet has a wonderful voice and she performs with style and grace...." John Weatherford, Theatre Pizzazz

"Zimmets clear, warm voice can cover a wide range and various styles. She has an understated, yet intoxicating, charm." Harold Sanditon, Cabaret Scenes

"...a sweet, jazzy interpretation...an adorable and charming stage manner...an aching vulnerability...a flair for humor." Stephen Hanks, TIme Square Chronicles

Marya Zimmet
maryazimmet1@verizon.net

All Sales Are Final.

Seating at Pangea is communal. Other guests may be seated at the table. There is a $20 per person food or beverage minimum at the tables. DINNER SEATING BEGINS AT 6:00PM.

THE HOUSE OPENS ONE HOUR BEFORE THE SHOW. SEATING IS FIRST COME FIRST SERVED.

Late arrivals will be seated at management's discretion.

Downtown's intimate supper-club Pangea is the ultimate in alt, playing home to some of the best in alt cabaret. The New York Times recently called it a bohemian oasis not unlike the fabled Max's Kansas City from days gone by."